Agents & Editors in Attendance

PITCH YOUR BOOK TO A LITERARY AGENT:

These one-on-one pitch meetings at the 2024 Michigan Writing Workshop are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. More 2024 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open. We have seen many, many writers sign with agents after connecting after our conferences.

——————

Chelsea Eberly is a literary agent and the Director of Greenhouse Literary Agency. She represents authors of middle grade, young adult, graphic novels, and women’s fiction, as well as illustrators who write picture books. As a former Senior Editor at Random House, she edited the Newbery Medal winning When You Trap a Tiger by Tae Keller as well as numerous award-winning and New York Times bestselling authors such as Tamora Pierce, Leigh Bardugo, Marie Lu, Sarah J. Maas, Mark Siegel, and Kim Johnson. She has a deep understanding of how publishers think and is an expert advocate for her clients. Learn more about Chelsea here.

Maggie Sadler is a literary agent with Corvisiero Literary. She is seeking: literary fiction written in lyrical, artful prose with carefully crafted tension; iterary fiction with speculative flavors—let’s get weird; upmarket fiction, especially with emotionally complex characters who explore evocative settings; untold and/or underrepresented historical fiction (pre-twentieth century, please); urban fantasy/magical realism rooted in our reality; folk and fairy tale retellings—the more stunning the twist, the better; work from Indigenous/First Nations authors, as well as other historically marginalized and underrepresented voices; narratives that interrogate themes of cultural identity, femininity, family legacy, rebellion against tradition, and self-discovery from a fresh, unorthodox perspective. An experienced traveler, Maggie also welcomes nonfiction travel narratives depicting remote locations and thought-provoking encounters in a raw, authentic, and intentional narrative voice. Learn more about Maggie here.

Kat Kerr [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Donald Maass Literary Agency. Kat feels strongly about supporting programs like We Need Diverse Books and is passionate about creating space in this industry for those from historically marginalized communities. She is actively seeking to grow her client list and is particularly hungry for magical realism, literary leaning speculative (fantasy) and science fiction, women’s fiction, YA works with a lot of heart, and narrative nonfiction with something to say. In fiction, she seeks literary, upmarket, women’s, rom-coms, multicultural, speculative, magical realism, family saga, young adult, and select sci-fi and fantasy. In nonfiction, she seeks narrative nonfiction and journalistic nonfiction tackling current affairs and social justice issues, particularly covering topics of racism, immigration, LGBTQIA+ rights, gender equality, and poverty. She also represents select biographies and memoirs. Learn more about Kat here.

Jon Michael Darga is a literary agent with Aevitas Creative Management. Darga represents both nonfiction and fiction. He is most interested in voice-driven pop culture writing, non-fiction histories that re-cast the narrative by emphasizing unexpected or unheard voices, and both adult and young adult commercial fiction that features diverse casts and new stories. He is not looking for genre fiction like political/crime thrillers, fantasy/sci-fi, or nonfiction in the self-help/how-to/business categories. Learn more about Jon here.

Carrie Howland is a literary agent and the President of Howland Literary, LLC, which she established in 2018, after thirteen years as an agent, most recently at Empire Literary. She represents young adult, middle grade, and select picture book authors. Carrie holds a B.A. in English and Creative Writing from Albion College, where she was the Poetry Editor of The Albion Review. She has been featured in several publications discussing her work as an agent including Poets & Writers, SCWBI insight, Akashic Books, and Slice Magazine. Carrie Howland joined Empire Literary after eleven years as an agent at Donadio & Olson, Inc. Learn more about Carrie here.

Rachel Beck [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Liza Dawson Associates. Rachel is looking for: upmarket/book club women’s fiction; smart contemporary romance/romcoms (beach reads); historical fiction this side of World War II; sweeping, multigenerational family sagas; speculative fiction; thrillers/domestic suspense; contemporary YA: Especially LGBTQIA+ stories and “issue” books on what teens face today; and select nonfiction (narrative, gifty/pop culture, cultural criticism, politics, career/personal growth, self-help, health/wellness, sports, parenting). Learn more about Rachel here.

Cyle Young is a literary agent and founder of CYLE Literary Elite. Cyle is seeking: young adult, middle grade, and chapter books; genre fiction, especially romance; love stories; speculative (sci-fi and fantasy); easy readers, picture books and board books; nonfiction (parenting, leadership, ministry, and self-help); movie and screenplays. Learn more about Cyle here.

Alexandra Grana [SOLD OUT OF PITCH APPOINTMENTS] is a literary agent with Corvisiero Literary. In fiction, she seeks: science fiction, fantasy, and horror for middle grade, young adult, and adult; LGBTQ stories in all genres; mysteries and thrillers; historical fiction; magical realism; weird queer. In nonfiction, Alex Is looking for: occult history/mysteries; narratives about deconstruction. Alex’s favorite genres are fantasy and horror. She is a sucker for a good magic system, reimagined fairy tales, and poetic prose. Stories by marginalized writers are of particular interest to her. Learn more about Alexandra here.

Justin Brouckaert is a literary agent with Aevitas Creative Management. Justin is a Metro Detroit native who holds an MFA in fiction from the University of South Carolina, where he was a James Dickey Fellow. As an agent, he is interested in memoir, and narrative nonfiction. In nonfiction, he is most interested in memoirs that offer access to exclusive places and experiences, as well as reported narratives that shed light on under-represented people and communities. Learn more about Justin here.

* * * * *

* * * * *

ADDED ONLINE PITCHING: To ensure that writers have a robust and diverse lineup of agents & editors to pitch, 2024 Michigan Writing Workshop attendees will have the ability to also pitch literary agents at the Writing Day Workshops *online* event that follows the 2024 MWW on our calendar.

That event is the Pittsburgh Writing Workshop, May 31 – June 1, 2024, which will have 30-40 agents taking one-on-one Zoom virtual pitches.

This means that 2024 MWW attendees can have access to pitching all those online PWW agents — pitches still at $29 each — without being a formal registrant for the online May/June 2024 event. (That said, if you want to formally register for the Pittsburgh conference and have access to all classes and panels, let us know, as there is a discount for confirmed Michigan attendees.)

If you are interested in this added pitching opportunity, the first step is to get formally registered for Michigan. Following the MWW conference on May 4, 2024, we will be in touch with all Michigan attendees and ask them if they want to partake in pitching online agents at the 2024 PWW (May 31 – June 1). At that time, you can communicate your pitch requests and purchase meeting time.

* * * * *

        More 2024 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings.)