The 2022 Michigan Writing Workshop: February 4-5, 2022

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2015, 2017, 2018, 2019, 2020, and 2021 events in Michigan, Writing Day Workshops is excited to announce The 2022 Michigan Writing Workshop — an online “How to Get Published” writing event on Feb. 4-5, 2022. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of two days, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2022 online Michigan Writing Workshop!

ONLINE: The 2022 MWW is an Online Conference to keep everyone safe, on Feb. 4-5, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on Feb. 4-5, 2022. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Michigan” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually. Our WDW writers conferences have helped dozens of writers find literary agent representation — see all our success stories here.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s 2022 MWW agent faculty so far includes:

  • literary agent Eric Smith (P.S. Literary)
  • literary agent Rebecca Eskildsen (Writers House)
  • literary agent Kim Lindman (Stonesong)
  • literary agent Cortney Radocaj (Belcastro Agency)
  • literary agent Paul S. Levine (Paul S. Levine Literary)
  • literary agent Leticia Gomez (Savvy Literary)
  • literary agent Kat Kerr (Donald Maass Literary)
  • literary agent Eva Scalzo (Speilburg Literary)
  • literary agent Michelle Richter (Fuse Literary)
  • literary agent Annie Bomke (Annie Bomke Literary Agency)
  • literary agent Abby Saul (The Lark Group)
  • literary agent Becky LeJeune (Bond Literary)
  • literary agent Ann Rose (Prospect Agency)
  • literary agent Ken Sherman (Ken Sherman & Associates)
  • literary agent Stephanie Winter (P.S. Literary)
  • literary agent Emily Williamson (Williamson Literary)
  • literary agent Victoria Dillman (Howland Literary)
  • literary agent Shauna Turnmire (Arthouse Literary)
  • literary agent Rachelle Gardner (Gardner Literary)
  • literary agent Tori Sharp (Jennifer De Chiara Literary Agency)
  • literary agent Carlie Webber (Fuse Literary)
  • literary agent Stacey Graham (3 Seas Literary)
  • literary agent Cate Hart (Harvey Klinger Literary)
  • literary agent Lori Steel (Raven Quill Literary)
  • literary agent Bre Stephens (Jennifer De Chiara Literary Agency)
  • literary agent Amy Giuffrida (Jennifer De Chiara Literary Agency)
  • literary agent Annalise Errico (Ladderbird Literary)
  • literary agent Maggie Cooper (Aevitas Creative Management)
  • literary agent Jess Dallow (Brower Literary)
  • literary agent Michelle Lazurek (Wordwise Media Services)
  • literary agent Natalie Edwards (Trellis Literary)
  • literary agent Kelly Peterson (Rees Literary)
  • literary agent Dani Segelbaum (Carol Mann Agency)
  • and likely more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Chuck Sambuchino and Brian Klems of Writing Day Workshops.

EVENT LOCATION & DETAILS:

ONLINE: The 2022 MWW is an Online Conference to keep everyone safe, on Feb. 4-5, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (FEB. 4-5, 2022):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, FEB. 4, 2022

9:30 – 10:30: TBD

10:45 – 11:45: TBD

11:45 – 1:15: Break

1:15 – 2:30: TBD

2:45 – 3:45: TBD

4:00 – 5:00: TBD

SATURDAY, FEB. 5, 2022

9:30 – 10:30: TBD

10:45 – 11:45: TBD

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45:Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from MWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: TBD

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

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PITCH AN AGENT OR EDITOR:

Eric Smith is a literary agent with P.S. Literary. Eric has a love for young adult books, literary fiction, sci-fi, fantasy, and nonfiction. Eric is eagerly acquiring fiction and non-fiction projects. He’s actively seeking out new, diverse voices in Young Adult (particularly sci-fi and fantasy), Middle Grade, and Literary and Commercial Fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of non-fiction, he’s interested in Cookbooks, Pop Culture, Humor, Middle Grade, essay collections, and blog-to-book ideas. Learn more about Eric here.

Bre Stephens is a literary agent with Jennifer De Chiara Literary. In adult fiction, she seeks: gothic, horror, speculative, fantasy, psychological Realism, detective/mystery. In middle grade & young adult, she seeks: gothic, horror, fantasy, psychological realism, detective/mystery, slice of life, adventure, coming of age, graphic novels. In nonfiction, she seeks art, history, personal journey, healing, memoir, biography, and self-help. Learn more about Bre here.

Kat Kerr is a literary agent with Donald Maass Literary Agency. Kat feels strongly about supporting programs like We Need Diverse Books and is passionate about creating space in this industry for those from historically marginalized communities. She is actively seeking to grow her client list and is particularly hungry for magical realism, literary leaning speculative and science fiction, women’s fiction, YA works with a lot of heart, and narrative nonfiction with something to say. In fiction, she seeks literary, upmarket, women’s, rom-coms, multicultural, speculative, magical realism, family saga, young adult, and select sci-fi and fantasy. In nonfiction, she seeks narrative nonfiction and journalistic nonfiction tackling current affairs and social justice issues, particularly covering topics of racism, immigration, LGBTQIA+ rights, gender equality, and poverty. She also represents select biographies and memoirs. Learn more about Kat here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Cortney Radocaj is a literary agent with Belcastro Agency. As a member and advocate of both the LGBT and neurodiverse communities, Cortney adores seeing works that celebrate and normalize these experiences, particularly in YA. She is seeking: young adult, new adult, and adult. She is looking for LGBT (particularly F/F), neurodiversity, fantasy, science fiction, steampunk, cyberpunk, mythology/fairytale retellings, gothic, paranormal, contemporary, horror, and magical realism. Learn more about Cortney here.

Eva Scalzo is a Literary Agent with Speilburg Literary. In Adult Fiction, Eva represents Romance novels (all subgenres except inspirational) and Science Fiction/Fantasy novels. She also represents all subgenres of Young Adult Fiction. She is interested in submissions from diverse authors. Learn more about Eva here, as well as her specific interests and what is seeking from writers.

Shauna Turnmire is a literary agent with Arthouse Literary. As an associate agent at ArtHouse, Shauna is often drawn to stories that are a little strange, and especially ones that use speculative or fantastic elements in beautiful, original ways. Across the board, she’s looking for an inclusive cast of characters, across gender, sexual orientation, race, religion, and mental health spectrums. Pitch her: contemporary romance, upmarket fiction, YA fantasy, new adult fantasy, thriller & speculative fiction. Shauna is mostly looking for YA and new adult fantasy with major character development. Shauna is also intrigued by historical fiction, preferably centered around the Holocaust and the French Revolution. She would love to see anything centered around Irish or Celtic history and lore/mythology. Learn more about Shauna here.

Rebecca Eskildsen is a literary agent at Writers House. “I am actively growing my list, with a particular interest in middle grade, YA, and adult fiction. Across the board, I’m looking to elevate LGBTQ+ and BIPOC voices, among other underrepresented narratives. In middle grade, I’m looking for a range of fiction, from fun adventure stories to contemporary books that make kids feel seen. Mostly I want to see fresh, engaging voices, particularly narratives with a sense of humor and a strong emotional core. For YA, I’m looking for some darker themes and twisty, gripping stories, but also some lighthearted fun! Give me your ambitious “unlikable” girls (ugh – I’ll like them) and your funny, slow-burn romances. I’m looking for a more limited variety of adult books. I’d love to have my inbox full of contemporary rom coms. I’m also looking for sagas about families and/or friends, of any age or topic, and I’m looking for 20-something coming-of-age stories.” Learn more about Rebecca here.

Kim Lindman is a literary agent with Stonesong Literary. Kim is interested in representing narrative nonfiction, select short story collections, commercial and literary fiction in adult and young adult age groups, with special interest in contemporary fiction and magical realism. She is highly collaborative and particularly seeks to represent a diverse client list. People from underrepresented groups are highly encouraged to submit their work. Learn more about Kim here.

Natalie Edwards is a literary agent with Trellis Literary. In terms of fiction, she is seeking commercial, upmarket, and literary titles both contemporary and historical: stories of queerness and diaspora (i.e., Patsy), hidden histories, workplace satires/sendups of #girlbosses, and anything that offers biting social commentary and disrupts conventional wisdom. She also enjoys contemporary retellings of classic works, particularly by authors from underrepresented and marginalized groups. In the nonfiction space, she is looking for hybrid memoirs, which combine personal stories with research/reportage; narrative nonfiction; and cultural histories about music, film, art, and sports. Learn more about Natalie here.

Ken Sherman is President of Ken Sherman & Associates, a Los Angeles based literary agency. The company was established in 1989, and handles film, television, and book writers, as well as selling film and television rights for books and life-rights. Concerning what he seeks, Ken is a generalist, and represents adult fiction and nonfiction of all types. He does not want pitches for children’s books or novels of any kind. Learn more about Ken Sherman here.

Amy Giuffrida is a literary agent with Jennifer De Chiara Literary. “​I am always looking for #ownvvoices stories written by traditionally underrepresented authors that feature BIPOC and LGBTQ+ characters.” In middle grade and young adult, she seeks horror, romance, contemporary, and mystery. In adult fiction, she seeks horror, romance, romantic comedies, and psychological thrillers. In nonfiction (all ages from MG to adult), ” I am looking for powerful stories from diverse voices, including cookbooks that highlight family stories or ancestral anecdotes.” Learn more about Amy here.

Cate Hart is a literary agent with Harvey Klinger Literary Agency. She is particularly drawn to oft forgotten stories of the past and underrepresented voices, and especially personal to her is unexplored Southern history and culture. In nonfiction, she seeks narrative stories, history, film/TV/theatre, pop culture, and music. In fiction, she seeks historical, commercial, women’s, romance, fantasy, mystery, psychological thriller, middle grade, and young adult. Learn more about Cate here.

Screen Shot 2019-07-09 at 11.51.01 PM.pngLeticia Gomez is a literary agent and the founder of Savvy Literary. At the present time, Savvy Literary Agency is interested in reviewing compelling and commercially viable book proposals and manuscripts written in English or Spanish. Fiction areas of interest: adventure, chick lit, fantasy, historical, humor, multicultural, mystery, paranormal, romance, young adult, and middle grade. Nonfiction areas of interest: advice/relationships, biography, cooking, diet, health, history/politics/current affairs, how-to, humor, lifestyle, memoir, parenting, religion/spirituality and true crime. Learn more about Leticia here.

Maggie Cooper is an agent with Aevitas Creative Management, representing adult fiction and select nonfiction projects. Maggie is actively seeking imaginative, genre-bending literary fiction; capacious historical novels; beautifully told queer stories; and smart, feminist romance. Her other loves include epistolary novels, well earned happy endings, and narratives that disrupt cisness, whiteness, and the heteropatriarchy. “I’m seeking imaginative, genre-bending literary fiction; capacious historical novels; beautifully told queer stories; and smart, feminist romance. I love fabulism and the strange, epistolary novels, well earned happy endings, clever retellings, and narratives that disrupt cisness, whiteness, and the heteropatriarchy.” She specializes in chick lit, GLBT, historical fiction, literary fiction, romance, short story collections, upmarket women’s fiction. She also sometimes considers commercial fiction, family saga, graphic novels, multicultural. Learn more about Maggie here.

Dani Segelbaum is a literary agent with the Carol Mann Agency. Dani is seeking nonfiction titles with an emphasis on politics, women’s issues, popular culture, and current events. Dani also loves memoir, narrative nonfiction, lifestyle, and cookbooks. In fiction, she is looking for literary and upmarket adult fiction including debut, historical, rom-coms, mysteries, and women’s fiction. In both fiction and non-fiction, Dani hopes to work with authors from diverse backgrounds to tell stories that are important to them. She loves compelling narrators and is drawn to writing that is voice-driven, highly transporting, and features unique perspectives and marginalized voices. Learn more about Dani here.

Rachelle Gardner is a literary agent and the founder of Gardner Literary. “I represent NONFICTION books for the Christian market (CBA) as well as for the general market, and we are accepting queries for both.” She primarily seeks nonfiction writers who have a large and successful platform. She represents: next generation voices in the faith community; books about the intersection of faith and culture;  deconstructing and reconstructing faith; asking hard questions about faith; books by BIPOC authors; books that grapple with racial issues, LGBTQ+ issues, and all social issues; deeper spirituality and prayer books; books about animal conservation, animal sanctuaries, and animals that help people; feminism and women’s issues; memoirs about any of the above — must be well-written and the author should have a platform; family life — interested in really unique and/or extraordinary takes on parenting and family, whether it’s memoir or self-help; devotionals with depth, originality, and a definable audience; gift books — journals, guided journals, gifty devotionals, and other gift-type books for occasions such as graduation. Please do NOT pitch Rachelle any fiction or children’s books. Learn more about Rachelle here.

Stacey Graham is a literary agent with 3 Seas Literary Agency. In adult fiction, Stacey is seeking romance (she never met a trope she didn’t like).  In nonfiction, “I’m looking for fun, quirky, fascinating topics with strong commercial appeal and a great platform. Specifically looking for how-to books, antiques, and craft books.” In middle grade, she wants books that are spooky and/or hilarious. Stacey also represents graphic novels for middle grade, young adult, and adult fiction. Learn more about Stacey here.

Lori Steel is a literary agent with Raven Quill Literary Agency. “For all projects, I seek stories with authentic, unforgettable voices that reflect the diverse world we inhabit, instill the possibility of hope and change, and illuminate the shared human experience. More specifically for YA, I would love to find a fresh take on fantasy tropes, contemporary stories that flip conventional scripts, unexpected historical and/or historical fantasy mash-ups that disrupt entrenched notions. I like middle grade contemporary, historical, and fantasy fiction stories that demonstrate deep understanding of readers’ age, voice, and growing awareness of themselves and the world around them is paramount. For Graphic Novels, I’m looking for writer-illustrators crafting accessible contemporary and select nonfiction stories. For Picture Books, I’m eager to find writer-illustrators who craft stories with spare text and rich art, creators who play with structure, utilize collusion to engage participation, and don’t underestimate young readers. Nonfiction stories that surprise and instill a sense of wonder are always welcome. Whimsical, lyrical, and/or humorous stories that young readers will beg to read over and over again always top the list.” Learn more about Lori here.

Ann Rose is a literary agent with Prospect Agency. She is seeking all kinds of young adult fiction; she loves stories with heart & humor, strong characters that stand up for their convictions, thrillers, and stories that deal with the issues kids face today. She seeks middle grade across all genres, especially ones that push the boundaries. For adult fiction, she wants swoony romances (any level but erotica), very light sci-fi or fantasy, fresh retellings, heartwarming contemporaries, unique voices, diverse perspectives, vivid settings, and stories that explore tough topics. Learn more about Ann here.

Abby Saul is a literary agent with The Lark Group. Abby’s personal library of beloved titles runs the gamut from literary newbies and classics, to cozy mysteries, to sappy women’s fiction, to dark and twisted thrillers. Specifically, she seeks adult fiction fiction as well as adult commercial fiction (including historical fiction, women’s fiction, mysteries, and thrillers). Learn more about Abby here.

Michelle Richter is a Senior Literary Agent at Fuse Literary. Michelle is seeking suspense, mystery, psychological thrillers, domestic suspense, women’s fiction, book club fiction, YA mystery/thriller, and select contemporary YA. She’s especially eager to find suspense and psychological thrillers with complex lead characters. BIPOC, LGBTQ, and disabled voices in fiction always welcome. Michelle loves unreliable narrators, stories of family secrets, friendships, and sibling relationships. Learn more about Michelle here.

Jess Dallow is a literary agent with Brower Literary. Jess is looking for contemporary thrillers and mysteries in young adult fiction. In adult fiction, she is looking for small town romance, rom-coms, domestic suspense, and book club fiction. She would love to see diverse characters and #ownvoices within these genres. Having grown up with the same name as her favorite Sweet Valley High twin, Jess has always had a love for books, especially those that feature child psychopaths, platonic friendships between men and women, a romance that makes her heart beat faster, and serial killers. Learn more about Jess here.

Stephanie Winter is a literary agent at P.S. Literary. Stephanie is acquiring: adult, Young Adult, and Middle Grade fiction, in addition to Graphic Novels. She’s actively seeking titles with diverse and inclusive representation that offer smart, culturally aware, and enriching narratives. For young readers, Stephanie loves a good adventure story, light SFF, and STEAM topics. In the adult space, she appreciates all sorts of fiction but particularly enjoys Rom-Coms and Thrillers (located outside the home) and LGBTQ+ stories that bring joy. Stephanie also acquires select nonfiction in all age groups, with a soft spot for projects that blend illustration with information on culturally relevant topics. Learn more about Stephanie here.

Tori Sharp is a literary agent with Jennifer De Chiara Literary Agency. She is ONLY open to middle grade novels as well as children’s graphic novels. “As a graphic novelist myself, I am eager to represent stunning, playful, diverse, and important comics for kids in elementary through high school. I love comics that are heartfelt and gestural, and I tend to like art styles that look animated and soft, but bright. I am also currently looking for upbeat middle-grade manuscripts that make readers think about the world around them in a new way—especially fantasy, high-concept fiction, and memoirs. I gravitate toward stories that are simultaneously silly and sincere. I am looking for clearly defined magic, intimate stakes, and clever twists that I won’t be able to stop thinking about.” Learn more about Tori here.

Victoria Dillman is a literary agent with Howland Literary. Victoria is most interested in adult literary/upmarket fiction and narrative and expert-driven nonfiction. She would particularly like to hear from underrepresented communities including neurodivergent, queer, and BIPOC voices. In fiction, she looks for a well-paced plot with a strong, distinctive voice. She is fascinated by complex and nuanced characters with conflicting desires. She especially loves literary fiction with a speculative or magical element. She is also intrigued by hybrids of literary-genre fiction: pieces that work to subvert genre conventions. She will always be captured by family relationships, particularly the complexities of sibling dynamics and intergenerational trauma. In nonfiction, she is looking for projects that have a passion for and in-depth knowledge of niche topics. She is drawn to narratives that focus on the individual and offer fresh perspectives on our world. Some of the topics she is interested include social justice, climate change, mental health, cults, true crime, and counterculture. Learn more about Victoria here.

Carlisle Webber is a literary agent at Fuse Literary. Carlisle is looking for: high-concept commercial fiction in middle grade, young adult, and adult. If your book is fresh and exciting, tackles difficult topics, reads like a Shonda Rhimes show, or makes readers stay up late turning pages, she’s the agent for you. Diverse authors are encouraged to submit their fiction. Within the genres she represents, Carlisle is especially interested in stories by and about people of color; with both visible and invisible disabilities and illnesses; who are economically disadvantaged; who are gay, lesbian, bisexual, transgender, or queer; or who are members of religious minorities. Pitch her: Middle grade (any genre), Young adult (any genre), thriller, mystery, suspense, horror, women’s fiction, and popular/mainstream fiction. Learn more about Carlisle here.

Emily Williamson is a literary agent and the founder of Williamson Literary. In adult fiction she is looking for lyrical prose, stories with unique settings, adventure, international, fantasy/sci-fi or science inspired, magical realism. For children’s, she seeks stories that talk up to kids, that inspire and build confidence with cleverness and humor. Prefers middle grade over YA; no picture books. Nonfiction interests: history, sports, science, environmental, narrative, and a solid author platform. Currently looking for science or adventure/travel narratives in the vein of books such as Shadow of the Silk Road or The Sports Gene. Learn more about Emily here.

Becky LeJeune is a literary agent with Bond Literary. Becky spent 5 years as an acquisitions editor at The History Press before joining Sandra at BLA in 2014. She is interested in adult and teen general fiction, horror, mystery/thriller, historical fiction, science fiction and fantasy, and cookbooks. Learn more about Becky here.

Annalise Errico is a literary agent with Ladderbird Literary. Annalise is looking for more queer, BIPOC representation across the board, especially in romances that give Happily Ever Afters to complex and palpable characters. In nonfiction, she seeks narrative nonfiction centering in on women’s stories and queer stories, such as: true crime with a feminist lens; memoirs that focus on identity; or alternative formatting. In fiction, she seeks romance, mystery, thriller, commercial, women’s, contemporary, and new adult. In young adult fiction, she seeks historical, graphic novels, fantasy, mystery, thriller, and contemporary. Learn more about Annalise here.

Kelly Peterson is a literary agent with Rees Literary. Kelly seeks manuscripts in various genres within Middle Grade, Young Adult, and Adult age ranges. In Middle Grade, she loves fantasy, sci-fi, and contemporary that touches on tough issues for young readers. Her Young Adult preferences vary from contemporary to high fantasy, sci-fi (not the space kind) to paranormal (all the ghost stories, please!), and historical all the way back to rom-coms. Kelly is proud to continue to represent Adult manuscripts in romance, fantasy, and sci-fi. She is very interested in representing authors with marginalized own voices stories, witty and unique characters, pirates, witches, and dark fantasies. Learn more about Kelly here.

Annie Bomke is a literary agent with Annie Bomke Literary Agency. She represents a wide variety of adult and YA fiction and nonfiction, including commercial and literary fiction, upmarket fiction, mysteries (from hilarious cozies to gritty police procedurals and everything in between), historical fiction, women’s fiction, psychological thrillers, literary/psychological horror, self-help, business, health/diet, cookbooks, memoir, relationships, current events, psychology, and narrative nonfiction. Learn more about Annie here.

Michelle S. Lazurek is a literary agent with Wordwise Media Services What Michelle is looking for: “I’m interested in representing Christian nonfiction for adults, and picture books for children.” Learn more about Michelle here.

 

 

 

        More 2022 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2022 MWW and access to all workshops, all days. (You also get 10 additional free pre-recorded webinars on writing and publishing.) As of late 2021, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the workshop’s former instructors. (This rate is a special event value for Michigan Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Memoir, children’s picture books, adult fiction of any kind, young adult, middle grade: Faculty member Shirin Leos, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
  • Women’s fiction, contemporary/mainstream fiction, literary fiction, young adult, and memoir: Faculty member Kimiko Nakamura, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Young adult fiction (in the areas of contemporary/realistic, rom-com, contemporary (“low”) fantasy, and paranormal fantasy): Faculty member Alex Barba, an author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Children’s picture books and middle grade: Faculty member Brittany Thurman, a published author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Michigan workshop specifically.

REGISTRATION:

ONLINE: The 2022 MWW is an Online Conference to keep everyone safe, on Feb. 4-5, 2022. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The MWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Michigan workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

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Thank you for your interest in the 2022 Michigan Writing Workshop.

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