The 2021 Michigan Writing Workshop: April 9-10, 2021

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2015, 2017, 2018, 2019, and 2020 events in Michigan, Writing Day Workshops is excited to announce The 2021 Michigan Writing Workshop — an online “How to Get Published” writing event on April 9-10, 2021. (Writers are welcome to attend virtually from everywhere and anywhere.)

This writing event is a wonderful opportunity to get intense instruction over the course of two days, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited online “seats” at the event (200 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2021 Michigan Writing Workshop!

ONLINE: The 2021 MWW is an Online Conference to keep everyone safe, on April 9-10, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

WHAT IS IT?

This is a special two-day “How to Get Published” writing workshop on April 9-10, 2021. In other words, it’s two days full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome. And even though this is the “Michigan” Writing Workshop, make no mistake — writers from everywhere are welcome to attend virtually.

This event is designed to squeeze as much into two days of learning as possible. You can ask any questions you like during the online classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s 2021 MWW agent faculty so far includes:

  • literary agent Jennifer Unter (The Unter Agency)
  • literary agent Steven Hutson (WordWise Media Services)
  • literary agent Keely Boeving (Wordserve Literary)
  • literary agent Renae Moore (Tobias Literary Agency)
  • literary agent Susan Velazquez (JABberwocky Literary)
  • literary agent Savannah Brooks (Jennifer De Chiara Literary)
  • literary agent Patrick Munnelly (Bond Literary)
  • literary agent Julie Gwinn (The Seymour Agency)
  • literary agent Whitney Ross (Irene Goodman Literary Agency)
  • literary agent Jaidree Braddix (Park & Fine Literary)
  • literary agent Nicole Payne (Golden Wheat Literary)
  • literary agent Susana Alvarez (Park & Fine Literary)
  • literary agent Samantha Wekstein (Thompson Literary)
  • literary agent James Mustelier (The Bent Agency)
  • literary agent Stephanie Winter (P.S. Literary)
  • literary agent Jennifer Herrington (Harvey Klinger Literary)
  • literary agent Eric Smith (P.S. Literary)
  • literary agent Amaryah Orenstein (Go Literary)
  • literary agent Katherine Wessbecher (Bradford Literary)
  • literary agent Courtney Miller-Callihan (Handspun Literary)
  • literary agent Ben Miller-Callihan (Handspun Literary)
  • literary agent Tessa Emily Hall (CYLE Literary)
  • literary agent Reiko Davis (Defiore and Company)
  • literary agent Nikki Terpilowski (Holloway Literary)
  • literary agent Amanda Leuck (Spencerhill Associates)
  • literary agent Brenna English-Loeb (Transatlantic Agency)
  • literary agent Darlene Chan (Linda Chester Literary)
  • literary agent Erica Bauman (Aevitas Creative Management)
  • literary agent Cortney Radocaj (Belcastro Agency)
  • literary agent Emmy Nordstrom Higdon (Westwood Creative)
  • literary agent Paul S. Levine (Paul S. Levine Literary)
  • literary agent Cecilia Lyra (P.S. Literary)
  • and more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinators Chuck Sambuchino and Brian Klems of Writing Day Workshops.

EVENT LOCATION & DETAILS:

ONLINE: The 2021 MWW is an Online Conference to keep everyone safe, on April 9-10, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

THIS YEAR’S SESSIONS & WORKSHOPS (APRIL 9-10, 2021):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

FRIDAY, APRIL 9, 2021

9:30 – 10:30: Writing a NY Times Bestselling Novel. This session covers a list of things to do (like establish mood and create conflict) and things to avoid (like weasel words and purple prose) on your journey to becoming a bestselling author.

10:45 – 11:45: Voice in a Manuscript. In this session, we’ll target common mishaps and approach creating strong narratives on three levels: dialogue, prose, and characters.

11:45 – 1:15: Break

1:15 – 2:30: The Changing Role of the Author. This informative and fast-paced workshop will cover a variety of changes in the publishing landscape, including self-publishing versus “trad pub,” social media marketing, privacy concerns, and more.

2:45 – 3:45: How to Think Like a Developmental Editor (and Write Well). Thinking like a developmental editor can help you mold your book for success even as you write; it can eventually help you edit yourself so that the book you submit is the book an editor is looking for.

4:00 – 5:00: How to Market Yourself and Your Books: Talking Author Social Media, Blogging, and Platform. Whether you’re traditionally published or self-published, everyone could use some helpful guidance on how to effectively market themselves and sell more books.

SATURDAY, APRIL 10, 2021

9:30 – 10:30: How to Write a Great Query Letter to an Agent. In this class, a literary agent will explain the essential elements of an effective query letter, and share some dos and don’ts when sending this all-important initial communication to agents.

10:45 – 11:45: After the Book Deal: What Happens Next?. Two agent instructors will present a detailed explanation of the traditional publishing process, including the differences between the acquisitions editor and the production editor, sales, marketing, publicity, cover design, distribution, and much more. Bring your questions!

11:45 – 1:15: Break

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission.

2:45 – 3:45:Open Agent Q&A Panel. Several attending literary agents will open themselves up to open Q&A from MWW attendees. Bring your questions and get them answered in this popular session.

4:00 – 5:00: Ten Keys to Writing Success. Learn 10 things you can be doing right now that will help get your book(s) published and have more control over your writing destiny.

Agent pitches and critique consultations overlap with Saturday sessions. The schedule of presentation topics below is subject to change and updates:

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Jennifer Unter is a literary agent with The Unter Agency. “We are interested in seeing quality fiction and general nonfiction, with a particular interest in memoir, food/cooking, nature/environment, biography, pop culture, travel/adventure, true crime, politics and health/fitness. Additionally, we are looking for all types of children’s literature (picture books, middle grade, and young adult).” Learn more about Jennifer here.

Steven Hutson is a literary agent with WordWise Media Services. “What I’m looking for: I’m interested in representing a wide range of fiction and nonfiction books for children and adults. Surprise me. At WordWise Media Services we represent award-winning authors in a wide range of genres for children and adults. We have personal relationships with hundreds of acquisitions editors, and we know exactly what type of material they’re looking for.” Learn more about Steven here.

Keely Boeving is an Agent with WordServe Literary. Keely is looking for well-researched nonfiction books in the areas of health and wellness, business (especially books targeting women in the workplace), parenting and family life, social justice, and religious studies; as well as projects from diverse and under-represented voices. For the Christian market, she is seeking books in the areas of Christian Living, spiritual transformation, devotion and worship, and women’s topics including motherhood, relationships and marriage, work-life balance, and calling. She is also seeking narrative nonfiction and memoir, and occasionally represents smart, well-crafted contemporary and literary fiction. In the children’s market, she represents middle grade and the occasional picture book; she loves stories that feature characters who are quirky and complex, and books that allow children to see themselves in the pages, perhaps for the first time. Learn more about Keely here.

Renae Moore is a literary agent with Tobias Literary Agency. “I represent authors and illustrators. In YA and Adult, I am interested in contemporary, speculative fiction, magical realism, mystery, thrillers, and romance. I accept novels and graphic novels. I welcome queries by #OwnVoices authors. In crime and mysteries, I want more than a police procedural. Legal thrillers, amateur sleuths, paranormal detectives are welcome. I’m interested in magical realism that has heart, humor, and adventure. I want to see the fun side of magic and science fiction. I want to see suburban stories that give a peek behind the curtain of perfection.” Learn more about Renae here.

Susan Velazquez is a literary agent with Jabberwocky Literary. Susan generally gravitates towards literary fiction but any story that details a complicated family dynamic, illustrates a transformative coming-of-age experience, or features multicultural characters or unique voices has a special place on her bookshelf, regardless of genre. Learn more about Susan and her wish list here.

Savannah Brooks is a literary agent with The Jennifer De Chiara Literary Agency. “I mainly represent kid-lit (PB, MG, and YA), and I’m interested in books that focus on friendship, conflicting identity, and the theme of truth. In picture books, I’m searching for projects that teach about and celebrate different cultures and places in the world and those that tackle serious topics in really accessible ways. For middle grade, I learn very heavily into action-adventure, especially those based on global folklore and mythology, and I love a snarky narrator and spooky situations. In young adult, I’m looking for multicultural and queer perspectives on everything from modern teen experiences to reframing classic tropes like vampires and witches. Mostly, I’m invested in representing the diverse world in which we live and would like to see that reflected in a cast of characters.” For adult fiction, she seeks 1) contemporary novels that walk the line of being funny while still adding to a larger sociopolitical conversation, and 2) thrillers that add to a larger sociopolitical conversation (but are NOT law-enforcement focused, including FBI/CIA). I would love to hear more from marginalized voices, regardless of whether or not marginalization is a central theme.” Learn more about Savannah here.

Patrick Munnelly is a literary agent with Bond Literary. He is interested primarily in anything LGBTQ+ (nonfiction and fiction, including romance). In genre fiction, he prefers anything horror & fantasy. In nonfiction, he is interested in political science, current affairs, health & wellness, and fitness. He is interested in Graphic Novels, but the works must be completed. Get to know more about Patrick here.

Julie Gwinn is a literary agent and vice president of The Seymour Agency. Julie is actively looking for diverse voices in both fiction and nonfiction and is currently looking for romance, mystery/true crime, historical and speculative/fantasy novels. In nonfiction she is looking for self-help, lifestyle, motivational and sports related books. Learn more about Julie and the books she seeks here.

Whitney Ross is a literary agent with Irene Goodman Literary Agency. Whitney is looking for middle grade, young adult, and adult fiction across all genres, with an emphasis on historical, science fiction & fantasy, romance, and contemporary fiction. She is also open to nonfiction submissions in the areas of design, cooking, and fashion. Learn more about Whitney and her interests here.

Jaidree Braddix is a literary agent with Park & Fine Literary and Media. Although Jaidree focuses on nonfiction (see specifics below), she informed the conference that she is open to meeting with attendees who write fiction, specifically if the attendee wants feedback on their pitch, rather than to actually submit work. Her nonfiction interests range from serious nonfiction that dives deep to illuminate important issues, to buzz-worthy and mission-driven narratives that have the potential to influence the national conversation. She is committed to helping authors turn their assets—be they courageous ideas, foundations for social good, academic studies, health and fitness programs, popular blogs, or Instagram followings—into compelling proposals and noteworthy books. Learn more about Jaidree here.

Nicole Payne is a literary agent with Golden Wheat Literary. Nicole is currently hoping to find: Young Adult historical romance set in the Middle East;  Young Adult literary fiction about love, family and hope and will make me ugly cry;  Women’s Fiction involving a Rosie the Riveter influenced story;  Adult contemporary about a cut-throat fashion industry and the romance that shouldn’t be a priority over creativity;  Adult Action and Adventure that centers around elderly women putting down knitting needles and picking up nunchucks.  Both Christian and secular themes welcome. Learn more about Nicole here.

Susana Alvarez is a literary agent with Park & Fine Literary. As first-generation Mexican-American, she is especially drawn to and excited to reflect multicultural experiences and perspectives. Her interests range from narrative nonfiction, where she has a penchant for memoirs, to voice-driven Journalism, cultural commentary, big idea society-moving books, to the health and wellness industry; particularly among women and under-represented communities. Outside of nonfiction, her love of the literary world first arrived through the great American novel, which evolved into a passion for fiction rooted in themes of: the self, coming of age, complex human relationships, and multi-generational stories against the backdrop of multiple nations and cultures. Learn more about Susana here.

Samantha Wekstein is a literary agent with Thompson Literary. In young adult, she loves creative and epic fantasies, but she is also drawn to realistic stories with multi-dimensional female characters. She is always interested in elevating diverse voices, particularly through feminist narratives. She is seeking middle grade of all stripes, but especially stories that deal with themes of friendship, adventure, or encountering tragedy for the first time. She is also on the lookout for whimsical, meaningful, and funny picture books. On the adult side she is drawn to commercial voices in romance, women’s fiction, historical fiction, science fiction and fantasy. Learn more about Samantha here.

Stephanie Winter is a literary agent at P.S. Literary. Stephanie is acquiring: adult, Young Adult, and Middle Grade fiction, in addition to Graphic Novels. She’s actively seeking titles with diverse and inclusive representation that offer smart, culturally aware, and enriching narratives. For young readers, Stephanie loves a good adventure story, light SFF, and STEAM topics. In the adult space, she appreciates all sorts of fiction but particularly enjoys Rom-Coms and Thrillers (located outside the home) and LGBTQ+ stories that bring joy. Stephanie also acquires select nonfiction in all age groups, with a soft spot for projects that blend illustration with information on culturally relevant topics. Learn more about Stephanie here.

Jennifer Herrington is a literary agent with Harvey Klinger Literary Agency. “I am actively building my list in the middle grade, YA, and adult categories. I am looking for character and voice-driven books that I connect with on an emotional level. I want a book that makes me laugh or cry and extra points for both! I’m especially open to BIPOC and LGBTQ+ stories and voices in the mentioned categories. In Adult fiction I’d like to see: romance with a fresh twist, a sports romance, dark paranormal romances (with gritty vamps, wolves, or witches), romantic comedy, romantic suspense, mysteries and thrillers that keep me up all night, and science fiction & fantasy. Learn more about Jennifer here.

Amaryah Orenstein is a literary agent with Go Literary. Amaryah has always loved to read and provide (oftentimes unsolicited) editorial advice and, as a literary agent, she is thrilled to help writers bring their ideas to life. She is particularly drawn to narrative nonfiction and memoir but enjoys any book that connects the reader to its characters and evokes thought and feeling. Learn more about Amaryah here.

Katherine Wessbecher is a literary agent with Bradford Literary. Katherine is looking for children’s books (picture books through YA), upmarket adult fiction, and narrative nonfiction for all ages. In MG and YA, historical fiction and fantasy have been favorites since Katherine was young. But more than genre, she’s looking for the kinds of stories that transport her: to the past, an imagined world, or a perspective wholly different from her own. Her favorite picture books are the kind that make both kids and grown-ups laugh. In adult fiction and nonfiction, Katherine is looking for upmarket adult fiction that straddles the literary and commercial divide. Katherine is actively seeking adult and juvenile narrative nonfiction. Learn more about Katherine here.

Eric Smith is a literary agent with P.S. Literary. Eric has a love for young adult books, literary fiction, sci-fi, fantasy, and nonfiction. Eric is eagerly acquiring fiction and non-fiction projects. He’s actively seeking out new, diverse voices in Young Adult (particularly sci-fi and fantasy), Middle Grade, and Literary and Commercial Fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of non-fiction, he’s interested in Cookbooks, Pop Culture, Humor, Middle Grade, essay collections, and blog-to-book ideas. Learn more about Eric here.

James Mustelier is a literary agent with The Bent Agency. “I’m looking for both literary and commercial adult fiction. In literary fiction, I’m specifically drawn to visceral honesty coupled with a dark sense of humor. In commercial fiction I’m looking for horror, mystery, and thrillers. My favorite books have distinct and memorable voices that grab the reader’s attention, and a narrative gravity that permeates every action in the story.” Pitch him literary fiction, crime, mystery, suspense, horror, humor, young adult, and short story collections. Learn more about James here.

Amanda Leuck is a literary agent with Spencerhill Associates. Amanda is currently seeking strong, character-driven stories with an unforgettable voice. She’s looking for literary and commercial YA, select sci-fi and fantasy, and romance in all genres, including edgy romantic suspense, contemporary, and paranormal with a fresh twist. Among other things, she is excited about YA fantasy based in mythology across cultures; historical novels that spark my need to know more; characters with disability, chronic illness or mental illness – that doesn’t necessarily drive the plot; and #ownvoices. Learn more about Amanda here.

Reiko Davis is a literary agent with Defiore and Company. Reiko’s interests are varied, but she is particularly drawn to narrative journalism on the topics of pop culture, science/psychology, and current events as well as memoir that focuses on social justice, issues of race and gender, and the history and experiences of women and people of color. For fiction, she’s primarily looking for upmarket and literary novels, specifically set in contemporary times. She loves young, underrepresented voices, magical realism, and voice driven coming-of-age stories. On the children’s side, she’s actively looking for YA and middle grade projects that aren’t afraid to tackle big questions or important emotional truths, and do so through remarkable storytelling, humor, and heart. Right now she’s especially on the lookout for middle grade nonfiction projects (STEM focused, DIY, inspirational, activist driven, historical) and for adult rom com. She’d also love to connect with promising writers of short fiction with a strong initial publication record with magazines/literary journals who are now at work on a story collection and/or a debut novel. Learn more about Reiko here.

Darlene Chan is a literary agent with Linda Chester Literary Agency. Darlene is interested in stories by and about BIPOC (Black, Indigenous, and people of color), women’s fiction, chick lit, crime fiction, young adult novels. In nonfiction, she is actively seeking pop culture books, and books on film and the entertainment industry. Learn more about Darlene and what she seeks here.

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

Screen Shot 2018-11-13 at 10.07.45 AM.pngNikki Terpilowski is a literary agent and founder of Holloway Literary. She seeks Southern fiction, historical fiction, young adult, women’s fiction, literary fiction, mysteries, thrillers, romance (contemporary, historical and romantic suspense), cozy mysteries, science fiction (including Afrofuturist fiction), and African-American fiction of all types. For nonfiction, she seeks books related to mindfulness, healthy eating (Paleo, gluten-free, etc.), regional/ethnic/fusion cookbooks, foodie subjects, travel, alternative simple living, i.e. homesteading, minimalism, etc, interesting self-help (personal and professional), military experiences, Civil War, and Southern living. Learn more about Nikki here.

Cecilia Lyra is an associate agent at P.S. Literary representing adult fiction and nonfiction. In terms of nonfiction, Cecilia is seeking Psychology, Pop Culture, Science, Business, and Lifestyle from experts in their fields with an original angle, as well as compelling memoirs—both long-form and memoir-in-essays. As for fiction, Cecilia is passionate about voice-y Literary Fiction and fast-paced Commercial Fiction. She adores reading about dysfunctional families from the point-of-view of a morally ambiguous protagonist. Books that are centered around feminist issues have a special place in her heart. Above all else, Cecilia is looking for a story she can’t put down. Learn more about Cecilia here.

Literary agent Courtney Miller-Callihan is a literary agent and founder of Handspun Literary Agency. She is always looking for stories she can’t stop reading. For adult fiction, Courtney represents only the following: mainstream fiction (including historical fiction and women’s fiction), romance (all subgenres except inspirational), mystery novels, and speculative fiction. For nonfiction, Courtney represents work targeting all age groups (children and adults). Though she will consider nonfiction on any topic, work that deals primarily with issues of religion or spirituality is unlikely to be a good fit. Learn more about Courtney here.

Ben Miller-Callihan joined Handspun Literary Agency as an associate agent in 2019. He spent more than a decade teaching high school English, and is now actively building his client list. His interests include humor, young adult and middle grade novels, speculative fiction (especially decolonial science fiction and fantasy), mainstream-ish fiction a la David Mitchell and William Gibson, and anything food-related. Learn more about Ben here.

Emmy Nordstrom Higdon is a literary agent with Westwood Creative Artists. Emmy is seeking: “I grew up on fantasy novels and 90s kidlit horror like Bunnicula and Goosebumps. I represent authors of literary, upmarket, and commercial fiction, and narrative nonfiction, for adults and young adults. I specialize in character-driven #OwnVoices projects that are devastating to put down, particularly from the LGBTQ2S+ and disability communities. Murder is my comfort read. I prioritize queries from trans, Black or BIPOC, and/or disabled authors. Learn more about Emmy here.

Cortney Radocaj is a literary agent with Belcastro Agency. As a member and advocate of both the LGBT and neurodiverse communities, Cortney adores seeing works that celebrate and normalize these experiences, particularly in YA. She is seeking: young adult, new adult, and adult. She is looking for LGBT (particularly F/F), neurodiversity, fantasy, science fiction, steampunk, cyberpunk, mythology/fairytale retellings, gothic, paranormal, contemporary, horror, and magical realism. Learn more about Cortney here.

Brenna English-Loeb is a literary agent with Transatlantic Agency. She is specifically looking for works of YA and adult science fiction, fantasy, mystery and suspense. She loves grounded space operas, rare myth and fairy tale retellings, nature survival stories, epistolary novels, and heists. She also has a soft spot for stories that blend multiple genres and she is always looking for works by underrepresented groups and identities. For nonfiction, Brenna is looking for serious, groundbreaking sociological work that holds our culture up to the magnifying glass. She also loves accounts of historical events and people that deserve to be better known, as well as unusual and influential object histories. Learn more about Brenna here.

Screen Shot 2019-03-30 at 3.10.25 PM.pngErica Bauman is a literary agent with Aevitas Creative Management. Erica is currently focused on representing a wide range of authors across middle grade, young adult, and adult fiction, as well as some select narrative nonfiction projects. She is most interested in novels that straddle the line between literary and commercial, imaginative tales with a speculative twist, fearless storytellers that tackle big ideas and contemporary issues, and working with and supporting marginalized authors and stories that represent the wide range of humanity. “In adult, I gravitate towards stories that have a commercial premise and beautiful writing. I love voice-driven, witty romcoms, historical novels (especially mysteries), and light SFF and magical realism. I’m on the lookout for books starring nerds, and stories that make me laugh. Across all age ranges and genres, I’m eager to support and work with marginalized authors and stories that represent the wide range of humanity. Learn more about Erica here.

Tessa Emily Hall is a literary agent for CYLE Literary. She seeks young adult fiction (all kinds and genres) for Illuminate YA Fiction publishing. Learn more about Tessa here.

 

x

        More 2021 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2021 MWW and access to all workshops, all days. (You also get 10 additional free pre-recorded webinars on writing and publishing.) As of early 2021, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents or editors in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals. There is no limit. Here are quick testimonials regarding writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-05-02 at 11.47.54 PM.png“Good news! I signed a client [novelist Aliza Mann]
from the Michigan Writing Workshop!”
– literary agent Sara Mebigow of KT Literary

Screen Shot 2018-11-05 at 12.56.10 PM“I signed author Stephanie Wright from
the Seattle Writing Workshop.”
– literary agent Kathleen Ortiz of New Leaf Literary

Screen Shot 2018-05-17 at 9.07.44 PM“I signed an author [Kate Thompson] that I
met at the Philadelphia Writing Workshop.”
– literary agent Kimberly Brower of Brower Literary

Screen Shot 2016-10-16 at 2.54.50 PM.png“I signed novelist Kathleen McInnis after meeting her
at the Chesapeake Writing Workshop.”

– literary agent Adriann Ranta of Foundry Literary + Media

Add $69 — for an in-depth, personal critique of your one-page query letter from Chuck Sambuchino, one of the workshop’s former instructors. (This rate is a special event value for Michigan Writing Workshop attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.
  • Suspense, mystery, thriller, crime: Faculty member Jim Rubart, a published suspense author, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss his thoughts, and pass along written critique notes at the meeting.
  • Memoir, children’s picture books, adult fiction of any kind, young adult, middle grade: Faculty member Shirin Leos, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting. If you submit a picture book, it must be 1,000 words or fewer (can have illustrations or not).
  • Science fiction, fantasy, mystery, thriller, suspense, romance (no erotica), contemporary/mainstream fiction, literary fiction, historical fiction, young adult (including genre YA and SF/F): Faculty member Amber Royer, author and writing instructor repped by Jennie Goloboy of Donald Maass Literary Agency, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you online (Zoom, etc.) or by phone for 15 minutes sometime before the workshop to discuss her thoughts, and pass along written critique notes before or after the meeting.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and he will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by PayPal or check or credit card. Because Brian plans different workshops, make sure you note that you’re inquiring about the Michigan workshop specifically.

REGISTRATION:

ONLINE: The 2021 MWW is an Online Conference to keep everyone safe, on April 9-10, 2021. There is much more to say about this, but immediately you should understand 1) Online events are easy and awesome, and the online events we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of a traditional in-person event, including one-on-one agent & editor pitching, which will now be done by Skype or Zoom or phone. Learn all details about what it means to have a writers conference online.)

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com. He will pass along registration information to you, and give instructions on how to pay by PayPal or check or credit card. Once payment is complete, you will have a reserved seat at the event. The MWW will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Brian plans different workshops, make sure you note that you’re inquiring about the Michigan workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason at any time, you will receive 50% of your total payment back [sent by check or PayPal or CC refund]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already started edited your work.)

Screen Shot 2014-06-12 at 4.10.21 PM

Thank you for your interest in the 2021 Michigan Writing Workshop.